![]() 5, is a melody by Clara Wieck, and that of the Études symphoniques, Op. An example from Liszt's time is Schumann. Bach, Mozart and Beethoven, had done it before him. For several centuries many of the most prominent composers, among them J. Liszt's composing of music from existing music, being taken as such, was nothing new. Examples of this kind are the arrangement of the second movement "Gretchen" of his Faust Symphony and the first " Mephisto Waltz" as well as the " Liebesträume" and the two volumes of his "Buch der Lieder". As a special case, Liszt also made piano arrangements of his own instrumental and vocal works. Examples of the second class are Liszt's transcriptions of Schubert songs, his fantasies on operatic melodies, and his piano arrangements of symphonies by Berlioz and Beethoven. Examples of the first class are Harmonies poétiques et religieuses of May 1833 and the Piano Sonata B minor. On the one hand, there are original works, and on the other hand there are transcriptions, arrangements, paraphrases or fantasies of works by other composers. ![]() Liszt's piano works are usually divided into two classes. See also: Franz Liszt's treatments of the works of other composers Liszt pioneered the technique of thematic transformation, a method of development which was related to both the existing variation technique and to the new use of the Leitmotif by Richard Wagner. In his most famous and virtuosic works, he is the archetypal Romantic composer. The relative obscurity of the vast majority of his works may be explained by the immense number of pieces he composed. Années contains some pieces which are loose transcriptions of Liszt's own earlier compositions the first "year" recreates his early pieces of Album d'un voyageur, while the second book includes a resetting of his own song transcriptions once separately published as Tre sonetti di Petrarca ("Three sonnets of Petrarch"). This set of three suites ranges from the pure virtuosity of the Suisse Orage (Storm) to the subtle and imaginative visualizations of artworks by Michelangelo and Raphael in the second set. His thoroughly revised masterwork, Années de pèlerinage ("Years of Pilgrimage") includes arguably his most provocative and stirring pieces. Most of his music is for the piano and much of it requires formidable technique. Less commonly used is the "R" number, which derives from Peter Raabe's 1931 catalogue Franz Liszt: Leben und Schaffen.More commonly used in English speaking countries are the "S" or "S/G" numbers (Searle/Grove), derived from the catalogue compiled by Humphrey Searle for Grove Dictionary in the 1960s.Instead, his works are usually identified using one of two different cataloging schemes: ![]() ( October 2021) ( Learn how and when to remove this template message)Īlthough Franz Liszt provided opus numbers for some of his earlier works, they are rarely used today. Please help to improve this article by introducing more precise citations. This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations. ![]()
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